終於看了台北雙年展《你我不住在同一個星球》

終於是去看了台北雙年展《You and I Don’t Live on the Same Planet》,有超出也有低於期待的地方,比較深刻的感受來自對這種具體世界觀(拉圖滿場跑)導向的策展型態的驗證反思(看這面主題牆的concept sketch就能理解),思想系統與藝術創作間在這展場中呈現的怎樣的關係?是exegesis, illustration, extrapolation, dialogue, annotation, 還是appropriation? 我覺得值得看完想想。

我還有一點困惑,究竟我們對這特殊型態的難得實驗,該期待的是藝術碰撞思想的意外走音?還是溢出文字的感官共鳴?比起2016年的《Making Things Public》,我感覺Latour實驗摸索的策展定位改變了,Demonstrating Different Planets變得更為重要, 這種清晰意外地反而帶給我說不出的茫然,或許這一切都只是Covid/19搗亂造成的、可以預料(因此也可以寬容)的意外?

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